The Big Barn
It is time to turn my attention to my 1949 barn or watch it crumble to dust. I’m starting with a new roof. The last one was installed 67 years ago. It doesn’t leak yet, but, it soon will, and I have an itch to set things right.
The barn has called me down into the pasture many times in the last few weeks. There was junk to be discarded and damage to be assessed. I drove five truckloads to the recycling center, and uncovered some buried treasure… well, my idea of buried treasure: a door to replace an ill-fitting one in my house, rescued by my dad in the 60’s from a home being torn down in Myers Park. I tried to move it. It must weigh 100 pounds. Above it, in the loft, are the parts of a grand staircase he also retrieved, its ornate bits and pieces curled up in a corner. Someday I’m certain I will find the perfect place to use it.
There’s my great-grandfather’s farm wagon to dodge. Lumber rescued from around the farm lies racked up on the sides of the barn, some of the boards very old, from trees cut manually with a two man cross cut saw and then milled here on the farm. The loose knit loft floor is pine boards, most of them over a foot in width. Old handmade ladder back chairs hang from ledges, and bits of straw and dust get stirred up with every step. There’s an octagonal oak hardware bin in the loft that used to be a working member of the general store. It held thousands of bolts and screws so nearby farmers could find that odd bit they needed. All that mingles and communes with saddles, a watering trough and other reminders that animals once lived here.
Charles is a builder of barns and everything else besides. We are old friends and while he is still in the barn business I want his to be the hands that set my barn right. Charles knows barns. He spent all his younger years being a champion bronc rider, and now, in his middle years he looks unchanged and moves around the roof like a young man, tirelessly, day after day, with relentless energy. Charles could convince me that some things don’t change.
I paint in the studio at the top of the hill while the men remove the rusted tin from the barn roof and store it for another project. A brilliant shiny new shell takes its place. The barn sits deep in the bowl of the pasture. When I step down to speak to the men, I feel the change in altitude in the air and the sounds shift from highway noise to thousands of frogs croaking in the little wetland below. The March light is bright without leaves on the trees to soften it, and it’s immersive— the light, the frog calls, the damper, cooler air. The late afternoon light comes through the stripped rafters and casts a mesh of shadow pattern.
Any day that sets something right in a sacred place is a good day. Any day that ends in the pasture with the sun raking through the trees ends right. I add this day to my large and growing collection of very fine days.